In July 2016, Georgie Pope, Director of the Global Music Academy, organised a UK tour for eleven performers from Assam, Northeast India.
The tour consisted of ten monastic dancers from the Island of Majuli, one professional musician from Assam, one French impresario, an Irish production assistant, a Welsh driver, three film-makers (English, Argentinian and Italian) an English producer (me) and my 2 1/2-year-old son.
The tour was funded by the Arts Council, the ICCR (Indian Council for Cultural Relations), King’s College London and LAHP. It was also made possible by support from GemArts, Utopia Festival, Akademi and a huge number of well-wishers and friends.
Here is a photo diary of the ten beautiful days we spent dancing, singing, conducting workshops for adults and children and making friends in London, Hampshire, Newcastle and Gateshead.
Day 1 – 7th July 2016
Arrival at Heathrow airport
Welcome Bhabananda Barbayan, Gobinda Kalita Bayan, Jadumoni Saikia, Niranjan Saiki, Pradip Kumar Neog (Basanta), Nitul Borah, Boloram Saikia, Dwipendra Sarma, Naren Chandra Boruah, Dina Nath Boruah, Mukunda Saikia
Day 2 – 8th July 2016
The monks encounter the Vrindavani Vastra – a holy tapestry depicting scenes from the life of Lord Krishna – on display in the British Museum
In the evening, the monks give a spectacular performance in the Great Hall of the British Museum (photos by Vipul Sangoi).
Jadumani (centre) lights the ceremonial candles to inaugurate the performance, before a demonstration of Mati Akhara – yogic exercises to prepare the body, mind and stage for the main performance
Vrindavani Paal – a dance performance in Oja Pali style, choreographed by Dr Bhabananda Barbayan, based on the stories and avatars depicted in the Vrindavani Tapestry on display at the British Museum from January – August 2016.
Day 3 – 9th July 2016
Georgie Pope, doctoral candidate at King’s College, London, presents her PhD research on Sattriya dance at a conference at the British Museum, including a critique of the book Sattriya: Classical Dance of Assam (2013)
Dr Bhabanada Barbayan speaks, as part of a panel on ‘Staging the Vrindavani Vastra’ with Arshiya Sethi (centre) and Anwesa Mahanta (left)
Bhabananda leads a Sattriya dance workshop in the Clore Foyer of the British Museum:
Day 4 – 10th July 2016
Performances at King’s College, University of London, as part of the Utopia Festival
‘Gayan Bayan’ in the Quad
Oja Pali performance in the foyer (impromptu setting because of the rain!)
Happy family! With friends visiting from France
Day 5 – 11th July 2016
Workshops in Somerset House
Day 6 – 12th July 2016
Bhabananda pays a visit to Blythe House to see the V&A-owned Vrindavani Vastra fragment
There was some time for sightseeing!
We filmed the whole tour… so watch out for the movie! Jadumani took selfies with the film crew who were usually on the other side of the camera.
Day 7 – 13th July
Workshops and performance at the Barn at Burycourt, Hampshire
Day 8 – 14th July
The performers meet musician and producer Sam Mills
And we stage a performance for the cameras
Picnic in the beautiful gardens of the Barn at Burycourt (the monks cooked their own pure vegetarian meals throughout the tour – which the rest of the crew enjoyed too!)
More of the crew. Jadumani, Clara and Mathias Coulange
On the road to Newcastle
Day 9 – 15th July
Workshops in schools in Gateshead and Newcastle. Thanks to GemArts for connecting us to the schools.
Workshop and performance in the meeting room of Newcastle Hindu Temple (followed by a tour of the temple, and amazing food laid on by the temple committee)
Day 10 – 16th July
Performance at the Sage in Gateshead, as part of GemArts’ Masala Festival.
The concert was preceded by a panel discussion between GemArts’ Director Vikas Kumar, Bhabananda Barbayan and Georgie Pope
What joy, what energy, what fun!
If you would like to meet the performers – come on a Sound Travels trip to Assam 🙂
Like this one: Assam Musical Adventure
Feedback came in emails, texts, applause and handshakes. Here are some responses…
| The energy. The history. Everything. |
| The fact of having a traditional event from a (not much heard of) place in Assam, India, Majuli is truly wonderful. I hope that this exposure will continue beyond the NE of England, into the wider world” |
| Excellent, talented, exciting, exotic. Needs more exposure. |
| Having been connected with the Bharatanatyam Tradition, I could see the connection with odissi, kuchipudi and folk element – wonderfully presented |
| Excellent, amazing. Recognised the stories being told. Lovely |
| Good, very good, excellent |
| The style of the movement and the groove and sound of the music. Wonderful to see the humility with which the monks performed their dance |
| A very pleasant performance indeed |
| Very good |
| Wonderful, felt a priviledge to meet the monks |
| What a wonderful experience. It was indeed an honour to be part of it. Well done on such a special mission. |
| A wonderful window into such a beautiful culture. Also nice to see the ancient roots of more popular dance forms like kathak & Bharanatyam |